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Posts tagged “hey dumbass

RadioBSC / BSCTV Episode #5: All The Things We Shouldn’t Love

This week, our intrepid host flies solo talking about all the things we shouldn’t love and just love in general. He also admits to having actual friends and a crush on Goth/Fetish model, Apnea.

This week’s podcast features music by local artists, No Horses, The Pack A.D., The Jolts, The Hotel Lobbyists, Parlour Steps, Thee Manipulators, The TVees, The Parallells, The Tranzmitors, The Stumblers Inn, Cadaver Dogs, and The Beladeans.

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RadioBSC / BSCTV Episode #4: Angel At The Crossroad

This week our intrepid host sits down with Vancouver indie songstress, Valerie Graham, to discuss suffering for art, local music, arts & crafts, and tattoos.

Features music by local musicians Cadaver Dogs, Swank, Shiloh Lindsay, The Stumblers Inn, The Pack A.D., Neko Case, and two live, in-studio performances by Valerie Graham.

Listen to or download the full audio podcast from Podbean.com below:

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RadioBSC / BSCTV Episode #3: Behind the Curtain

This week, our overeager host overbooks the studio and sits down with Basil Ketchen, a self-declared, urban explorer AND Kara Bean and Dirty Swagger (aka Free Cigarettes for Drunk Minors). All four chat about the hidden Vancouver and the local music scene.
Features music by local artists The Likely Rads, Vancouver Killing Spree, Murder She Wrote, Dirty and the Derelicts, Jaded Jinas, The Subhumans (Vancouver), The Jolts, and Free Cigarettes for Drunk Minors.

Listen to or download the full audio podcast from Podbean.com below:

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RadioBSC / BSCTV Episode #2: Sailor’s Song

Host, Baron S. Cameron, and this week’s co-host, Ryan Welguz, sit down for a chat about sailing, boats, and songs about such.

Features music by locals artists The Evaporators, The Surf Messiahs, The Smugglers, The Dreadnoughts, and The Town Pants.

Listen to or download the full audio podcast from Podbean.com below:
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RadioBSC / BSCTV Episode #1: Red Sky at Night

Host, Baron S. Cameron, and this week’s co-host, Rachel “Red” Watson, sit down for a chat about indie music, burlesque, film production, and our lives and friends in music.

Features music by locals artists, Red, The Ginteel Sextet, The Hermit, Big Tall Garden, Sir Hedgehog, and Jane Sawyer.

Listen to or download the full audio podcast from Podbean.com below:
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Watch the videotaped interview here:

This is an outtake from the interview and well worth watching: Rachel’s “Best Beer Ever” Story


Music and the Pathetic Soul

*Note: This piece was written for the express purpose of finding something to complain about that had absolutely nothing to do with Barak Obama or George Bush. BSC

 

I’ve always loved Mozart’s music but kind of hated him. It’s a Salieri thing, I’m sure, but the fact remains. How can I hate Mozart you ask (okay, you probably didn’t but the article kind of stalls here without the rhetorical device)? Very simply, the little turd accomplished more before he turned 10 than I have in 36 years. That, and every time I turn on CBC radio, the little shit rubs my face in it.

So we can’t all be musical geniuses. I figure most of us came to that conclusion at a very early age. What of it? There are plenty of lousy musicians out there to gloat over. The problem is a good portion of them are making more money than me. Lady Gaga might be easy on the eyes but her effect on the ears certainly leaves something to be desired. If both good and bad music brings on a sense of self-loathing, where I am to turn?

I can’t turn to the movies because the musical scores always evoke the image of a blind paraplegic winning the Boston Marathon in slow-motion. If your character gets a piece of music that has horns, strings, kettle drums, a choir, and a cymbal crash (such as Hans Zimmer’s “Chevaliers de Sangreal” from The Da Vinci Code), you know you’ve just found the tomb of Mary Magdaline. Of course, I could take solace in knowing that the only person who dreams of being a blind paraplegic winning the Boston Marathon in slow-motion is a blind paraplegic and I should thank my lucky stars that I’m not, but it doesn’t help. Likewise, the existence of Mary Magdaline is a myth and any “facts” that might prove she once walked the streets of Jerusalem are tenuous at best.

I suppose I could end this little diatribe by saying that, although they aren’t Mozart, whoever wrote the score to the movie I’m watching is also more talented than I am. Lame.

However, I will end this diatribe by saying that as I write these little effusions I do have my own little score: “The Bitch is Back” by Elton John and Bernie Taupin.

 

davincicodepuba


2008: Year End wrap-up for The Aging Rockstar Review

So, here we are with the Year That Was. January 6th is New Year’s Day for the Aging Rockstar Reviews, the first video review having been posted on January 6th, 2008. And now we will carry through with the perennial, annual exercise of taking a look back.

 

Best Gig:

The best all-round show I went to had to be on June 20th at The ANZA Club: The Pack A.D., The Cadaver Dogs, The TVees, and Val Graham. It was a great bill with the music starting low and slow off the guitar of Valerie Graham and finishing with the head pounding licks and fills of Becky and Maya. An evening to remember to be sure.

 

Best Gig, runner-up:

The Jolts “Haute Voltage” record release party, July 13th, at The Cobalt with The Parallels and The High School Girls (now Mexican Drug Patrol).

The Stupidest Thing I Heard:

One of The Stumblers Inn’s, [CiTR] Shindig, comment slips advised Graham Myrfield (bass) that it was unprofessional to wear a band shirt on stage. I’ll be sure to mention this to Iron Maiden and The Ramones as it readily apparent that they too need the career advice of a college radio, textbook music fan who probably couldn’t tune a guitar if he even owned one.

 

The Smartest Thing I Heard:

Ferdy Belland telling James Woods of The Hotel Lobbyists that, “If [bands] don’t compare notes, there’ll never be a scene” in the parking lot of The Biltmore Cabaret.

 

The Worst Thing I Heard:

“Mike Gurr is dead.”

Best Out-of-Town Show:

Hands down, it had to be The Green Mountain Music Festival in Nanaimo. It was a day of music, fun, sun, beer and… well… you get the idea. Any day that includes the full musical spectrum between gals like Shiloh Lindsey and Val Graham and the bone-shaking, power chords of Bison can’t be all bad. Besides, raising a little less than $4000 for Cystic Fibrosis was a nice touch as well.

Best Stuck In A Moment You Can’t Get Out Of Moment:

About halfway through Edmonton’s Wet Secrets’ set (“The Secret March” as I recall) at The Biltmore (March 31st ), I leaned over to Grant Lawrence (one-time Smuggler, long-time CBC R3 DJ, and all-time friend) and said “This might just be the best band I have ever seen.” Their catchy hooks, tongue-in-cheek stoicness, and fun-loving raunch made for an enjoyable evening, and when the instant struck, left me with a real, Rock ‘n’ Roll moment.

Most Improved Band:

*Note: being designated “Most Improved Band” should in no way suggest that they sucked to begin with. BSC

Murder She Wrote: This motley crew have never failed to impress every time I have seen them play. They consistently hone their stage “show” and are an act that shouldn’t be missed.

Runner-up: The TVees

I once joked about The TVees saying that the “difference between The TVees and a slut is that The TVees get tighter the more they play.”

Best Dance Band That Isn’t a “Dance” Band:

The TVees, The Tranzmitors, The Parallels, and Thee Manipulators all share this title for me. If you are at one of their shows and your feet aren’t moving, check your pulse because you’re probably dead.

Best Punk:

I am torn here between The Jolts and Cambridge, but they’re really two types of punk. The Jolts play the mid-70 New York punk (a la Ramones, New York Dolls) and Cambridge are experts at the Post-Maclaren/Sex Pistols political punk that got supercharged in the 80s.

Best Pop:

The Hermit, hands down. Though it would be a blessing for the band, it would be a curse for any Top 40 pop band to take The Hermit on tour: fans would realize that pop played on instruments with analog vocals is really that much better.

Best Surf Rock:

The Surf Messiahs. Saw these guys once and it was all it took. If this is your music, they are your band.

Honourable Mention: Mexican Drug Patrol (formerly The High School Girls). Harder than the Surf Messiahs but a gas on stage (pay close attention to the drummer, he’s awesome).

Best Country:

Swank. I’ve said it before and I am certain that I will say it again: Swank is everything that was/is right about country music.

Best Folk [-Rock]:

Valerie Graham. I can’t do any justice to her in words that she can’t do for herself in music. Check her out.

Best Rock:

No Horses are incredible at what they do but I’ll honest in saying that I am waiting to hear the next album because they are so good they may have plateaued, leaving themselves no more “up” to strive for (if that made sense to anyone but me, please let me know).

Honourable Mention:

The Beladeans. Gut rocking music from a band that takes no prisoners. If there is in fact a “brown note”, these’ll be the guys to find it.

Bands I’m Waiting For:

The Cadaver Dogs played their last show “for a while” at The Railway Club and if it was their last show forever that’d be a true shame. Likewise, there is not one person in my circle who wouldn’t cry for joy when The Hotel Lobbyists take the stage again.

Best All Around:

Minto Chipman (formerly The Smokes). It took me a while to warm up to this band but after several meetings and a handful of gigs they really started to grow on me. Hard to peg down to an actual genre, Minto Chipman is like a revival show you can drink at. They fill a room with an energy that leads you to believe they might be the only ones in the room that don’t take their amazing sound too seriously.

Runner up: Parlour Steps. This band is awesome. That’s about all I can say: awesome.

 

So, that was the year as I saw it. This list could have been twice the size it is but it ends here. As stated, this is how “I” saw the scene last year and desperately hope to expand my experience within it in 2009.